The effectiveness of the development of knowledge and the application of modern technologies in shaping the society of the 21st century inevitably calls for close integration of technological innovations with areas such as social sciences, ethics, policy, and digital arts and humanities.

Private Viewing: 22nd September 2021 - 4pm

The water beneath the Temple was both actual and metaphorical, existing as springs and streams, as spiritual energy, and as a symbol of the receptive or lunar aspect of nature.
The meaning of that principle is too wide and elusive for it to be given any one name, so in the terminology of ancient science it was given a number, 1,080. Its polar opposite, the positive, solar force in the universe, was also referred to as a number 666.

These two numbers, which have an approximate golden- section relationship of 1:1.62, were at the root of the alchemical formula that expressed the supreme purpose of the Temple. Its polar opposite, the positive, solar force in the universe, was also referred to as a number 666. Not merely was it used to generate energy from fusion of atmospheric and terrestrial currents, but it also served to combine in harmony all the correspondences of those forces on every level of creation.

André C. Meyerhans exhibits some of his design works at Dubai Design Week.

The works evolves around the exploration of a contemporary design language with cultural infliction (in particular which evokes Arabic associations) that can be applied to different trades.

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Launched during the cultural season of Dubai, The Artroom Villa 21 showcased a bespoke collection of 18 artists and designers in the setting of a private villa in Jumeirah. Opening and artists talks attracted more then 300 persons, local and international collectors and art lovers.

Crossing traditional borders not only opens a vast field of inspiration but also poses the question of how appropriate such predetermined definitions are.